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UID:20260527T031306CEST-3862ulEphc@Saalfelden-Leogang.com
DTSTAMP:20260527T011306Z
DESCRIPTION;LANGUAGE=en:M M M: W A S ___ 0 1\, 1 - 6 6 Score Meter (2 0 2 5
 ) New adaptation of the score and performance at the Saalfelden Jazz Festi
 val (2026) \n\n\n\n\n\nTransformation and insight – concept and realisatio
 n – evolution and ignorance.\n\n\n\nOpening and performance by MMM & Špela
  Mastnak \n\n\n\nAustria\, Slovenia\, Germany\n\n\n\nMMM: \n\nMathia*s Len
 z - conzept and realisation \n\nMaja Osojnik - conzept and realisation \n
 \nMatija Schellander - conzept and realisation \n\n\n\nGuest:\n\nŠpela Mas
 tnak – percussion & vibraphone\n\n\n\n\n\n“WAS___” marks the beginning of 
 a ten-year interdisciplinary journey through space and sound by MMM (Maja 
 Osojnik\, Mathia*s Lenz\, and Matija Schellander)\, starting with the firs
 t 66 meters of a graphic score. The project explores how a visual score ca
 n be understood as an open\, multimodal system and translated into differe
 nt artistic formats. At its core lies the question of the “original” and t
 he possible transfers between image\, sound\, performance\, and space.\n\n
 \n\nOver the next decade\, the score polymorphically documents traces of t
 ime\, inscribing them into itself while developing sonic and visual struct
 ures that invite audiences to think about music beyond the traditional not
 ation system. Linocut\, cyanotype\, acetone\, and other printing technique
 s weave the score through the space in manifold forms. As a long strip\, i
 t resembles magnetic tape and also works with the same medium. The tapes a
 re integrated into its design and fragmentarily interpret and accompany se
 ctions of the graphic score. Tape reels\, tape heads\, and speakers invite
  the audience to actively participate.\n\n\n\nAt its center\, the work lea
 ves room for immersive sound installations and performances in which MMM\,
  together with percussionist Špela Mastnak\, explore the phenomenon of ski
 n — as a sensory field of touch and perception — acoustically and haptical
 ly: through touching\, pressing\, scratching\, or deforming materials such
  as paper\, balloons\, or foil. As an interface between inside and outside
 \, the exploration of “skin” opens up a multilayered field of experimentat
 ion in which the physical interaction with sonic materials blurs the bound
 aries between action and reception\, creating a micro-acoustic landscape.
 \n\n\n\nfree entry
DTSTART:20260820T163000Z
DTEND:20260820T173000Z
LOCATION;LANGUAGE=en:Kunsthaus Nexus
SUMMARY;LANGUAGE=en:M M M: W A S ___ 0 1\,  Partiturmeter 1 - 66
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